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Review
by Adam, Crucial Blast Records:

"(...) The mysterious blackdrone entity Like Drone Razors Through Flesh Sphere opens the album with a thirty-two minute epic called "I Invoke", an intensely ominous black dronescape that moves between massive stygian rhythmic throb and slabs of thunderous ambient doom that sounds like an ultra-heavy blackened version of Scorn, with massive bass drops rumbling way off in the distance, surges of crushing blackened doom riffage, crawling sheets of black drift, distant choral singing that sounds lost in the depths of an infernal pit, high pitched sine waves, and the slow groaning wail of cellos drifting through the darkness and gradually joined by violins and horns that sound slightly warped and out of tune. This sprawling dronescape mixes together abstract chamber music sounds and crushing blackdrone, laced with strains of folk melody that float and tumbling in slow motion into the sulphurous abyss, ground beneath the pounding force of slow, throbbing rhythmic bass, eerie strings and horns bent and deformed, like an Arvo Part performance slowed to a crawl and spun backwards. But about twelve minutes in, actual drums materialize, pounding out a super slow spacious beat, sort of Swans-like, an angular juddering rhythm that lasts for a minute before all of a sudden the earth cracks open, and the sound is transformed without warning into a savage tempest of ultra-distorted blacknoise and insanely pitchshifted vocals, the music now unbelievably harsh and oppressive, like hearing a deathdoom band slowed down to an insanely slow tempo and with the distortion pushed into speaker-shredding levels of noize. Eventually, this blacknoize holocaust dissipates, and we're returned to the swirling black miasma from earlier, an infinite expanse of subterranean catacomb drone, the strings and horns now replaced by an ever present distorted rumbling and strange noises, voices muttering in Latin, clanking chains, weird backwards effects, rattling percussive sounds, and in the last few minutes of the track, a single distorted demonic voice appears, intoning a strange ritual spell as massive kettle drums thunder in the distance. What a trip. It has a similar fearsome hallucinatory vibe as Revorvorum Ib Malacht, but much more abstract and shapeless. (...)"

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released January 1, 2009

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